Difference between revisions of "Title"

From OMORI Wiki
Jump to navigation Jump to search
m
(I removed some obvious subjective material although there still might be some left, I can't tell very well as I do not know enough about music theory. Changed formatting to be easier to read. Added section for Motifs. Added Stub. Rewrote sentences to make them sound more encyclopedic)
 
(One intermediate revision by one other user not shown)
Line 1: Line 1:
'''Title''' is the first song in the official soundtrack of ''OMORI''. It was composed by Pedro Silva (Slime Girls). The opening theme is thirty-seven seconds long that features a slightly out-of tune piano playing while a high pitch that starts and ends the theme as well as a distorted shifting sound as almost as there is a microphone under water. This high pitch note is around a F-sharp six, creating a dissonant note not found in the key. The piece is in C major and has a pickup and seven measures.
{{Stub}}
 
'''Title''' is the first song in the official soundtrack of ''[[OMORI (Game)|OMORI]]''.<br>
It is composed by Pedro Silva (Slime Girls). The track is thirty-seven seconds long that features an out-of tune piano. A high pitch opens and ends the track together with a distorted shifting sound. The high pitch note is around an F#6, creating a dissonant note not found in the key (i.e the tritone or augmented forth). <br>
The piece is in C major and features a tempo of quarter note equals fifty-six beats per minute, a time signature of four-four, and has a pickup and seven measures. The track also borrows chords various other piano keys. <br>
'''Title''' will keep repeating as long as the game's title screen is open.
 
== Motif ==
'''Title''' uses the ''Main Motif''. The motif is featured in the following tracks:
* 001 - Title
* 153 - Do You Remember
* 154 - Playing Forever
* 167 - Remembrance
* 172 - DUET
* 176 - The Truth
 
== Chord Structure ==
C major (second inversion), C sharp diminished (second inversion), D minor (second inversion), A major seven, G major, C major.
Roman numerals: I6/5, #I6/5(borrowed chord), ii6/5, VI7(borrowed chord), V, I.
 
== Musical analysis ==
The two starting notes is a major sixth. This interval is widely used to convey lyrical and passionate themes in music with examples ranging from ''Star Wars (Leia's theme)'', ''Chopin's Nocturne Op.9 No.2 in E-flat major'' as well as ''Claude Debussy's Clair De Lune''.<br>
It is often referred to as ''The interval of yearning'' and is often associated with childlike joy and innocence. While there may be different interpretations it is generally agreed it sounds sweet and pleasant.

Latest revision as of 23:40, 2 March 2024

Title is the first song in the official soundtrack of OMORI.
It is composed by Pedro Silva (Slime Girls). The track is thirty-seven seconds long that features an out-of tune piano. A high pitch opens and ends the track together with a distorted shifting sound. The high pitch note is around an F#6, creating a dissonant note not found in the key (i.e the tritone or augmented forth).
The piece is in C major and features a tempo of quarter note equals fifty-six beats per minute, a time signature of four-four, and has a pickup and seven measures. The track also borrows chords various other piano keys.
Title will keep repeating as long as the game's title screen is open.

Motif

Title uses the Main Motif. The motif is featured in the following tracks:

  • 001 - Title
  • 153 - Do You Remember
  • 154 - Playing Forever
  • 167 - Remembrance
  • 172 - DUET
  • 176 - The Truth

Chord Structure

C major (second inversion), C sharp diminished (second inversion), D minor (second inversion), A major seven, G major, C major. Roman numerals: I6/5, #I6/5(borrowed chord), ii6/5, VI7(borrowed chord), V, I.

Musical analysis

The two starting notes is a major sixth. This interval is widely used to convey lyrical and passionate themes in music with examples ranging from Star Wars (Leia's theme), Chopin's Nocturne Op.9 No.2 in E-flat major as well as Claude Debussy's Clair De Lune.
It is often referred to as The interval of yearning and is often associated with childlike joy and innocence. While there may be different interpretations it is generally agreed it sounds sweet and pleasant.